Bourgogne Tribal Show: Art from afar goes rural

Artkhade

Besanceuil, 21 May 2018

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Besanceuil, a French village situated a few kilometres away from the town of Cluny, will be playing host to a fair unlike any other: the Bourgogne Tribal Show.

It’s the first international tribal-art fair to be held in the countryside: the Bourgogne Tribal Show honours the arts from all over the world in the Burgundy countryside. From 24 to 27 May, a few kilometres away from the town of Cluny, visitors can discover a tight but eclectic selection of dealers. Julie Arnoux, director of the Bourgogne Tribal Art Show, is enthusiastic about the fair: “We love this event and we’ve introduced a few innovations this year. We’re backing up our fine selection of dealers with a combination of established galleries and young guns, as well as wide openness to international art (namely Asia and Egyptian antiquities).”

The fair’s Honorary President is Jean Roudillon, a tribal-art figure who, at 95 years old, has notched up time both as a dealer and a valuer. He shares his experience with us in the fair’s catalogue. Did we say catalogue? Art [.../...]

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Tags: African Art, Oceanic Art, Native American Art, Pre-Columbian Art, Asian Art, Aboriginal Art, Fairs & Shows


Kanak culture comes to Moulins

Artkhade

Moulins, 30 March 2018

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Until 16 September 2018, the Musée Anne de Beaujeu in the French town of Moulins is holding the exhibition “Trajectoires Kanak – Histoires de voyages en Nouvelle-Calédonie” (“Kanak Trajectories – Stories on Voyages to New Caledonia”).

The event gathers numerous objects, rarely presented to the public, from the Musée Anne de Beaujeu’s collection of items from outside Europe. The latter grew from works picked up by colonists, missionaries, adventurers or scientists in the second half of the 19th century.

The works on display reveal the wealth of Kanak culture in every area (society, nature, war, religion). As a former French colony, New Caledonia was at the heart of one of the last waves of world exploration. While making their way through the exhibition, visitors can become acquainted with the era’s emblematic figures including Léon Moncelon, a colonist from the Allier region in France, Pierre Poyti, of mixed Kanak and French heritage who grew up in France, and Poindi-Patchili, a Kanak chief who belonged to a clan that [.../...]

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Tags: Oceanic Art, Exhibitions


PAD to the rhythm of tribal art

Artkhade

Paris, 25 March 2018

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From 4 to 8 April 2018, tribal art enthusiasts will be flocking to Paris Art Design!


At this 22nd edition of the fair, the French capital’s most talented galleries will be meeting up at the Jardin des Tuileries to celebrate creation and artistic taste. As is the case every year, the organisers have come up with a remarkable presentation of styles and eras, the guiding thread being prime aesthetics.


On the menu: modern art, contemporary design, furniture, jewellery… But also tribal art, with objects originating from Asia, America and Africa.


Among the French galleries that will be at the PAD this year, three are worth singling out. Galerie Lucas Ratton, specialised in ritual objects, is notably offering a Kuba bowl (Congo, 19th century) and a Pwo Tschokwe mask (Angola, 19th century).
Then, there’s Galerie Afrique, presenting African sculptures and ethnographic objects. This year, we can discover a superb and rare polychrome butterfly mask from the Bwa people of Burkina Faso. “This one was collected in 1975 in the [.../...]

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Tags: Oceanic Art, African Art, Asian Art, Native American Art, Fairs & Shows


TEFAF 2018: pleasing sales for Tribal Art

Artkhade

Maastricht, 23 March 2018

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From 10 to 18 March 2018, the 31st edition of TEFAF Maastricht, the international fair for fine art and antiquities, kept its promises for tribal art.

The fair, presenting 275 exhibitors this year, is one of the year’s biggest art events, and covers over 7,000 years of art history.

TEFAF Tribal – the latest section to be launched by the event’s organisers – was a great success, both among the public, and commercially, namely thanks to the presence of prestigious brands like Anthony Meyer (Paris) and Donald Ellis (New York).

Among the pleasing sales notched up, we can single out the wooden bowl in the form of a bird (c.1800), which went for 285,000 euros (Donald Ellis Gallery), or the fragment from a monumental bronze statue which found a new owner at 250,000 euros (Merrin Gallery).

“This new edition of TEFAF lived up to my expectations in a very positive way,” comments dealer Anthony Meyer. “I met enthusiastic new clients and touched base with a few old buyers. It seems to me that TEFAF’s tribal section has reached [.../...]

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Tags: Asian Art, Pre-Columbian Art, Native American Art, Oceanic Art, African Art, Fairs & Shows


Tribal art under the spotlight at Christie’s

Paris, 15 March 2018

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On Monday 9 April and Tuesday 10 April 2018, Christie’s Paris is holding two sales starring tribal art from Africa, America and Oceania.

On Monday 9 April, 149 Pre-Columbian art objects from Ilya and Marina Prigogine’s collection will go on sale. A Belgian physicist and chemist of Russian origins, Ilya Prigogine won the Nobel Prize for Chemistry in 1977. He started collecting tribal art in 1960s with his wife, and filled out the collection towards the end of his life.

African, American and Oceanic pieces will be on offer, but the highlight will be the exceptional lot featuring Mexican sculptures. The latter are a unique testimony to Olmec culture and the Chontal and Mezcala tribes that lived in the mountainous regions of Guerrero.

Little remains known about the lives of these peoples, but most of the objects at the sale probably held a ritual function. The sale’s climax will be a set of anthropomorphic figurines dated between 300 and 100 B.C. A talk introducing the collection will also be given on 5 April 2018 by Alex Arthur (Tribal [.../...]

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Tags: Pre-Columbian Art, Oceanic Art, African Art, Art Market


Respecting the Balance

Gilles Picard

Brussels, 23 January 2018

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Like most collectors flocking to BRAFA, Harold t’Kint de Roodenbeke likes the month of January. President of the fair for the sixth consecutive year, he reveals to Artkhade with AMA the key points of the strategy for the Brussels-based fair. Verbatim.

With nearly 25,000 artifacts and works of art, presented by 135 exhibitors, BRAFA is an event not to be missed. Considered one of the top five global art fairs, it takes place in January and is also the fair which sets the pace for the art market. Following the Paris biennale in September, Frieze Masters in October in London and shortly before the Maastricht TEFAF in March, BRAFA is a key date in the diary for all lovers of fine art. A major European event held at the stylish brick and wrought iron Tour & Taxis site, BRAFA signals the return to trading for the year. It is important to keep in mind that on this international stage whilst 30% of traders are Belgian, the bulk of those in attendance come from the other 15 countries represented, from Canada to Japan. The key characteristic of BRAFA [.../...]

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Tags: Aboriginal Art, Native American Art, Pre-Columbian Art, Asian Art, Oceanic Art, African Art, Interviews, Fairs & Shows


THE COLLECTIVE: Martine Pinard, a seeker of humanity

By Laurent Granier with Artkhade and Gus Adler & Filles

Paris, 23 January 2018

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Collectors and art lovers populate the world of ancient African, Oceanic and American arts. Laurent Granier takes a look at their backgrounds, the psychological mechanisms behind their passions, their doubts, and their strategies. With them, he discusses objects, their histories, and the market.

All self-respecting tribal-arts lovers are familiar with the blog Détours des mondes, its hundreds of meticulous posts, its accounts of exhibitions, its yays and its nays, and its thematic bibliographies. But who exactly is Martine Pinard, the author of the said blog, and the president of the eponymous association? I was dying to find out more about this discreet woman, whom I’d come across two or three times previously in the course of my research, and whose conscientious work gave me hope of a wonderful encounter. So we scheduled to meet for Sunday lunch in a venue that she is particularly fond of: La Maison Rouge, in Paris, on 2 April 2017.

Beautiful things

Born to a modest family, young Martine Pinard dreamed of conquering space. An only [.../...]

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Tags: Oceanic Art, African Art, Interviews


THE COLLECTIVE: Alexandre Logé, an unflagging hunter

By Laurent Granier with Artkhade and Gus Adler & Filles

Paris, 28 November 2017

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Collectors and art lovers populate the world of ancient African, Oceanic and American arts. Laurent Granier takes a look at their backgrounds, the psychological mechanisms behind their passions, their doubts, and their strategies. With them, he discusses objects, their histories, and the market.

Alexandre Logé, an unflagging hunter

Alexandre Logé gave up everything at the age of twenty-six to sail around the world: “A big romantic adventure, hitching a boat ride from Marseille to Brazil via Africa.” [The myth of French sailor Bernard Moitessier soon collapsed, but Alexandre reports a “loathing of parapraxes”.] He returned to Paris, penniless, after accomplishing his dream, “and above all with vast energy and an understanding that barriers are primarily mental.” In 2005 he set up his own business, “a micro-enterprise with a few bits of bronze and several ideas. Everything started off with three prototypes…” Today a designer and creator of acclaimed furniture, he works with galleries in New York, Paris, Brussels, and even [.../...]

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Tags: African Art, Oceanic Art, Interviews


A boomerang effect in Geneva

By Artkhade with Art Media Agency

Geneva, 23 September 2017

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The MEG is dedicating an exhibition to the diversity and wealth of Australia’s arts. “L’Effet boomerang. Les arts aborigènes d’Australie”, thus offers insight into the colonisation of this country, from a political and aesthetic perspective.

It was in 1770 that British explorer James Cook, acting as a representative of King George III, became the first Westerner to set foot on the Terra incognita, today known as Australia. Even if the land was already populated, the explorer still dubbed this territory as Terra nullius – “no man’s land”, an expression that says a great deal about the way indigenous people were long considered as a primitive society.

However, the “material culture” developed by Australia’s 270 or so ethnicities over the 60,000 years in which they had inhabited the territory would whet the interest of Western travellers. Many European goods were exchanged for local fetishes, sometimes painlessly, for the Aborigines had the means to reproduce these artefacts easily.

It was during this period that [.../...]

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Tags: Oceanic Art, Aboriginal Art, Exhibitions


A new tribute to Jean Rouch

By Artkhade with Art Media Agency

Paris, 20 September 2017

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A prolific man, Jean Rouch directed more than 180 films. He was also well versed in poetry and ethnology. Today, several institutions are celebrating the centenary of his birth.

In 1957, Jean Rouch released Moi, un Noir, a film shot in pre-independence Cote d’Ivoire, which followed the daily lives of three Nigerian migrants. When the film came out, Jean-Luc Godard wrote three articles about the director and hailed him as the “free man” that he was: “the title on Jean Rouch’s calling card says it all: researcher for the Musée de l’Homme, the Museum of Man. Could a finer definition exist for the filmmaker?” Several years later, in 1960, Godard even contemplated titling his first feature film Moi, un Blanc — which posterity would come to know as À bout de souffle.

Going back to Rouch, this filmmaker discovered Niger at the age of twenty-five, and fervently explored its capital, Niamey, before pushing the doors of Africa open wider. As a connoisseur of the continent, this “free man” produced work that stands out for its [.../...]

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Tags: Oceanic Art, African Art, Events