The Auctions Database of Ancient Arts from Africa, Asia, Oceania and the Americas.
Standing Rock, 28 October 2016
Over 1,200 museum directors and curators, archaeologists, anthropologists, researchers and experts have signed a petition to stop the construction of a pipeline in Dakota on ancestral Amerindian land. Decorated in 2014 by the American Medal of Freedom, Suzan Shown Harjo, from the Cheyenne and Muscogee tribes, also declared that this pipeline “violated existing religious freedom, cultural rights, historic, environmental, and archaeological laws by failing to consult with the Standing Rock and other Sioux nations, and most recently by denying descendants access to the sacred place and enforcing the ban with attack dogs and other weapons (…). Native people and supporters urge official actions to stop this shameful project permanently.”
Paris, 5 January 2016
Fraud, money laundering, trafficking in cultural property, tax optimization, artificial increases of prices, confidentiality and anonymity… many dangerous hurdles, attributed to the art market, that for many elude to rules that have become an imperative necessity. Among the scandals involving diverse spheres of personalities and perplexed records in auction sales, we can equally cite a loss in standardisation and harmonization in the legal international disposals and especially the specificities of a lost market by subjectivity – justifying an irregularity and exaggeration of prices. The whole thing is encircled by an opaqueness and rigour silence. So which solutions are implemented today, for more clarity on the market that condenses as many singular facts?
The unexplored darkness of the tired and shaking art market
The USA Today, after the success of the autumn sales in New York, headlined: “Has art become a criminal enterprise?” Soaring prices, sometimes verging on irrational, leaves some [.../...]See more
Paris 16 July 2015
Jérôme Bastianelli was appointed Managing Director of the Musée du Quai Branly in Paris, where he will take office beginning 13 July 2015.
Jérôme Bastianelli succeeds Mouttalib Karim, Deputy CEO of the Quai Branly Museum since 2009, this year named General Director of the Louvre Museum. He has occupied, since 2009, the functions of assistant Director General Deputy Delegate of the Quai Branly Museum, under Stéphane Martin’s presidency. Inaugurated in 2006, the museum of arts and civilizations of Africa, Asia, Oceania and the Americas, is one of the most visited museums in the world in its category, with around 1.5 million visitors a year.
A former student of the Ecole Polytechnique, Jérôme Bastianelli was posted in the Ministry of Transport from 1996 to 2006. He was also a reporter at the 7th Chamber of the Court of Auditors from 2006 to 2009, as well as the leader of the external audit United Nations Educational, Scientific and Cultural Organization (UNESCO).
Paris, 15 May 2015
In 1920, many artists in Western Europe harboured a deep contempt for materialist bourgeois society and its arrogant faith in science and technology, a society which, since the First World War, the Dada movement had aimed to disturb with their provocative works. In 1920, however, new means of expression were being developed, and non-European objects had become increasingly common. More than 30 years prior to this, Gauguin had turned towards traditional Oceanian cultures to find the necessary resources for the new means of expression that he wanted to develop, starting by acquiring two Minkissi statuettes from the Congo, which he displayed at the Exposition Universelle de Paris in 1889. A little later, in the 1900s, Picasso became inspired by traditional Congolese art, particularly for his Demoiselles d’Avignon (1907). Unlike Western tradition, the so-called “primitive” artists attempted neither to reproduce nature, nor ideal beauty, offering an alternative to the Western tradition that was in crisis [.../...]See more
Paris, 2 March 2015
Self-proclaimed “painter, sculptor, performer, who is constantly anxious yet fascinated by being ‘there’ without any understanding…” Olivier de Sagazan is a philosophical artist who takes his inspiration from Africa, where he was born, staging performances of terrifying dances which reflect his constant preoccupation with the meaning of life. AMA spoke to him and delved into the worrying world of this astonishing artist.
O. S.: After my MA in biology, I had the chance to go to Cameroon for two years. These years really saved me, allowing me to take a step back and return to my roots: Africa, where I was born. Just before I left, I discovered, by looking at a Rembrandt painting, another amazing way of questioning life. Coming back, I spent a year locked up working on a comic strip, Ipsul ou la rupture du cercle, and then I immersed myself in painting and sculpture. Performance was something I worked on later, as a [.../...]See more
Boston, 1 May 2014
The Curator’s Eye has announced a selection of tribal and ethnographic art which can now be found online.
The site presents pieces from different origins: African, Native American, Oceanian and pre-Columbian. Amongst notable lots are: a Marquesas Island Club (1700-1830), adorned with a sculpted head of a Tiki (image of a Polynesian god), as well as a Nañaka (1770-1830) — a woman’s ceremonial overskirt exclusively woven by the Aymara women in the town of Toropalca, Bolivia. For lovers of African art, there is a Stylistically Dynamic Zoomorphic “Suruku” mask (1890-1920) also to be presented on the site.
The addition of tribal and ethnographic pieces to the online platform coincides with the final preparations currently underway for the New York Tribal Art Week, to take place in May.
Milan, 8 April 2014
According to The Art Newspaper, Milan’s Museo delle Culture, a museum for non-European art, is forecast to open in October 2014. It is a project which has so far cost the city €60 million, and has been in the pipeline since 1999.
The museum, designed by the British architect Sir David Chipperfield, serves as a collaboration between public and private spheres. The city of Milan is to oversee the museum’s permanent collection, whilst a private company is to be in control of the institution’s commercial enterprises, education programme and the organisation of two annual temporary exhibitions.
When the museum does open its doors to the public, it is to house 780m2 of permanent exhibition space and 1,500m2 of temporary exhibition space, enabling it to showcase a great variety of non-European works ranging in origin from pre-Columbian to modern and contemporary art. The museum’s permanent collection is to draw from the city’s extensive resources and is to be overseen by Marina Pugliese, the Director [.../...]See more
Paris, 2 April 2014,
Artcurial has announced the opening of a new department dedicated to tribal art. According to the auction house, this venture has been prompted by a string of successful sales, notably, the collections of Louis Carré (2002), Baudouin de Grunne (2006) and Alex Van Opstal (2008).
The department is to be led by Florence Latieule, a specialist in contemporary art. Lucas Ratton, an expert in African art and the founder of the eponymous gallery on Paris’s Rue de Seine, is to take up the position of consultant. Bernard de Grunne, a Belgian historian specialising in tribal art, is to become the department’s advisor on scientific and cultural plans.
Despite the fact the department is only in its first year of action, Artcurial have already announced two sales to take place this year: the first on 16 June, and the second scheduled for a date in December.
Paris, 18 February 2014,
The gallerist Yann Ferrandin, who specialises in tribal art (African, Oceanic, Indonesian and North American Art) is moving from his premises on Paris’s rue Visconti to the nearby 33 rue de Seine – a space formerly occupied by Downtown Gallery.
Ferrandin opened his first tribal art gallery in 1994. In 2007, he opened a new gallery under his name in the Saint-Germain-des-Près quarter.
He participated in the latest edition of BRAFA (The Brussels Antiques & Fine Arts Fair), which took place between 25 January and 2 February in Brussels.
Paris, 17 January 2014,
The Parisian Musée du quai Branly, dedicated to the arts and civilisations of Africa, Asia, Oceania and the Americas, has announced its receipt of a record number of donations in 2013.
Works donated to the institution include: 2,950 watercolours, drawings, studies and other documents by the artist Paul Jacoulet; a work by Aboriginal artist Lena Nyadbi; a rare sculpture from New Ireland (Papua New Guinea), as well as an exceptional Dogon piece. The museum’s collection has increased by 2,994 works in total – an expansion which includes the addition of 268 photos, with a combined value of €5,175,093. Donations have supplemented the museum’s 2013 acquisitions budget of €1,134,986.
The Musée du quai Branly is home to a collection of 300,000 works and objects from Africa (89,000), Asia (72,000), Oceania (33,000) and the Americas (106,000), of which 3,400 are exhibited in its “plateau de collections” room. The museum’s valuables also include two other important collections – [.../...]See more