FROM TRIBAL TO CONTEMPORARY

By AMA with Artkhade

Paris, 9 September 2018

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A homage to a mythical exhibition from the 1930s, an extensive dialogue with contemporary creation, and a unique assembly of works from outside Europe... This is what you can expect from the 17th edition of Parcours des Mondes, one of the world’s biggest and most prestigious primitive-arts fairs.

Its reputation is now a given. After notching up sixteen editions, the Parcours des Mondes has become an unmissable event for dealers, collectors, museum directors, and also tribal-art lovers. But what else would you expect when the organisers of the Parisian fair, steered by Pierre Moos, have never skimped on quality, but consistently invited the top dealers in their respective specialities?

Whether these dealers come from Paris, other French towns, or further afield, there are 64 of them present at Saint-Germain-des-Près for this year’s vintage. From Rue des Beaux-Arts to Rue Mazarine, passing through Rue Guénégaud, they are showing masterpieces patiently picked up from Africa and Oceania – often these dealers are taking a breather after [.../...]

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Tags: Aboriginal Art, Native American Art, Pre-Columbian Art, Asian Art, Oceanic Art, African Art, Fairs & Shows


3 questions for Federica Morbelli, organiser of Parcours des Mondes

By AMA with Artkhade

Paris, 8 September 2018

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What strategy are you implementing for Parcours des Mondes?

With sixteen editions behind it, Parcours des Mondes has become a leading player in the world of international tribal- and Asian-arts fairs. The legacy of these sixteen editions, all these sold objects, all these encounters, needs to be consolidated by maintaining what has been responsible for the quality of Parcours des Mondes until now: rigour in the selection of exhibitors. What makes a fair special is the diversity of its different stakeholders. In the first place, we address dealers: these are our clients, and they’re the ones we work with for six months in order to construct a rich event. But our audience is made up of art lovers, collectors, with demanding requirements. We need to find a good balance.

What approaches do you follow to strengthen this renown?

First, we wish to promote the heritage aspect of Parcours des Mondes. We’re also focusing on the need to reinvent our communication methods – we’re opening up more to social networks for example. Next, to maintain [.../...]

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Tags: Aboriginal Art, Native American Art, Pre-Columbian Art, Asian Art, Oceanic Art, African Art, Interviews, Fairs & Shows


4 questions for Pierre Moos, director of Parcours des Mondes

By AMA with Artkhade

Paris, 7 September 2018

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Do you think that the fair, celebrating its 17th birthday this year, has reached maturity? Are you still seeking to enrich it with new perspectives?

I’m very proud of the renown that Parcours des Mondes enjoys today. When we took it over several years ago, the event was going downhill. Over time and with a lot of passion, we’ve worked to give it the face it has today, by selecting participants from the world’s top galleries, which isn’t so easy given that there are very few of them. This might seem paradoxical, but what you need to bear in mind is that there are around sixty tribal-arts galleries worldwide, no more. By way of comparison, if you take any building in the Chelsea district in New York, you’ll find the same number of contemporary-art galleries, if not more. Clearly, we live in a microcosm from which we’re taking the best. This year, we refused about twenty potential participants due to the quality of works – primordial in our eyes – and also due to the fact that the number of galleries admitted to the event cannot be [.../...]

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Tags: Aboriginal Art, Pre-Columbian Art, Native American Art, Oceanic Art, Asian Art, African Art, Interviews, Fairs & Shows


Bourgogne Tribal Show: Art from afar goes rural

Artkhade

Besanceuil, 21 May 2018

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Besanceuil, a French village situated a few kilometres away from the town of Cluny, will be playing host to a fair unlike any other: the Bourgogne Tribal Show.

It’s the first international tribal-art fair to be held in the countryside: the Bourgogne Tribal Show honours the arts from all over the world in the Burgundy countryside. From 24 to 27 May, a few kilometres away from the town of Cluny, visitors can discover a tight but eclectic selection of dealers. Julie Arnoux, director of the Bourgogne Tribal Art Show, is enthusiastic about the fair: “We love this event and we’ve introduced a few innovations this year. We’re backing up our fine selection of dealers with a combination of established galleries and young guns, as well as wide openness to international art (namely Asia and Egyptian antiquities).”

The fair’s Honorary President is Jean Roudillon, a tribal-art figure who, at 95 years old, has notched up time both as a dealer and a valuer. He shares his experience with us in the fair’s catalogue. Did we say catalogue? Art [.../...]

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Tags: African Art, Oceanic Art, Native American Art, Pre-Columbian Art, Asian Art, Aboriginal Art, Fairs & Shows


TEFAF 2018: pleasing sales for Tribal Art

Artkhade

Maastricht, 23 March 2018

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From 10 to 18 March 2018, the 31st edition of TEFAF Maastricht, the international fair for fine art and antiquities, kept its promises for tribal art.

The fair, presenting 275 exhibitors this year, is one of the year’s biggest art events, and covers over 7,000 years of art history.

TEFAF Tribal – the latest section to be launched by the event’s organisers – was a great success, both among the public, and commercially, namely thanks to the presence of prestigious brands like Anthony Meyer (Paris) and Donald Ellis (New York).

Among the pleasing sales notched up, we can single out the wooden bowl in the form of a bird (c.1800), which went for 285,000 euros (Donald Ellis Gallery), or the fragment from a monumental bronze statue which found a new owner at 250,000 euros (Merrin Gallery).

“This new edition of TEFAF lived up to my expectations in a very positive way,” comments dealer Anthony Meyer. “I met enthusiastic new clients and touched base with a few old buyers. It seems to me that TEFAF’s tribal section has reached [.../...]

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Tags: Asian Art, Pre-Columbian Art, Native American Art, Oceanic Art, African Art, Fairs & Shows


Tribal art under the spotlight at Christie’s

Paris, 15 March 2018

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On Monday 9 April and Tuesday 10 April 2018, Christie’s Paris is holding two sales starring tribal art from Africa, America and Oceania.

On Monday 9 April, 149 Pre-Columbian art objects from Ilya and Marina Prigogine’s collection will go on sale. A Belgian physicist and chemist of Russian origins, Ilya Prigogine won the Nobel Prize for Chemistry in 1977. He started collecting tribal art in 1960s with his wife, and filled out the collection towards the end of his life.

African, American and Oceanic pieces will be on offer, but the highlight will be the exceptional lot featuring Mexican sculptures. The latter are a unique testimony to Olmec culture and the Chontal and Mezcala tribes that lived in the mountainous regions of Guerrero.

Little remains known about the lives of these peoples, but most of the objects at the sale probably held a ritual function. The sale’s climax will be a set of anthropomorphic figurines dated between 300 and 100 B.C. A talk introducing the collection will also be given on 5 April 2018 by Alex Arthur (Tribal [.../...]

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Tags: Pre-Columbian Art, Oceanic Art, African Art, Art Market


Respecting the Balance

Gilles Picard

Brussels, 23 January 2018

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Like most collectors flocking to BRAFA, Harold t’Kint de Roodenbeke likes the month of January. President of the fair for the sixth consecutive year, he reveals to Artkhade with AMA the key points of the strategy for the Brussels-based fair. Verbatim.

With nearly 25,000 artifacts and works of art, presented by 135 exhibitors, BRAFA is an event not to be missed. Considered one of the top five global art fairs, it takes place in January and is also the fair which sets the pace for the art market. Following the Paris biennale in September, Frieze Masters in October in London and shortly before the Maastricht TEFAF in March, BRAFA is a key date in the diary for all lovers of fine art. A major European event held at the stylish brick and wrought iron Tour & Taxis site, BRAFA signals the return to trading for the year. It is important to keep in mind that on this international stage whilst 30% of traders are Belgian, the bulk of those in attendance come from the other 15 countries represented, from Canada to Japan. The key characteristic of BRAFA [.../...]

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Tags: Aboriginal Art, Native American Art, Pre-Columbian Art, Asian Art, Oceanic Art, African Art, Interviews, Fairs & Shows


The Dealers speak out

By Artkhade with Art Media Agency

Paris, 15 September 2017

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They’re the ones who murmur into the ears of collectors. Gallerists play a crucial role in the tribal-art economy. For this special issue, a number of them, each with their own specialities, have agreed to share their feelings on the sector. Confidences.

At auctions, the eclectic nature of the tribal-art market indicates sure growth in the long term, both in terms of the number of lots placed on sale and their proceeds, even if the last three years have seen heavy fluctuations, if not a slight decline. However, by overshadowing the reality of the world of dealers, auction results are only a partial indicator of the health of a sector characterised by deep restructuring. Between a generational shift among collectors, sourcing difficulties, and a complex balance between auction houses and dealers, what does the future hold?

Collectors: a new generation takes the reins? In the eyes of Alain Lecomte from the gallery Abla & Alain Lecomte, specialised in ancient African arts, there’s no doubt about it: the sector is in for a shakeup: “The [.../...]

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Tags: Aboriginal Art, Native American Art, Pre-Columbian Art, Oceanic Art, Asian Art, African Art, Fairs & Shows, Art Market


Alex Arthur, Tribal Art and its market

By Artkhade with Art Media Agency

Paris, 13 September 2017

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What are the evolutions and limitations of the tribal-art market? How is it nurtured by the contributions of research and ethnology? Alex Arthur offers us a few indications…

Alexander Arthur is a well-informed collector and a fine connoisseur of tribal arts. For over twenty years, he has been the publishing director of Tribal Art Magazine. In 2009, he also became involved, with Pierre Moos, in the management of Parcours des Mondes.

-You are one of the key protagonists of Parcours des Mondes. How have you seen the fair evolve?

A.A.: I actually participated in the very first Parcours so I remember well how it consisted of only a handful of galleries. But the concept was a good one and it grew rapidly into the world’s premier event. The event grew in quality as has the market overall and Parcours des Mondes has become the annual focal point for many galleries today, a situation that is reflected in the quality of many artworks on show and the number of thematic exhibitions.

-Tell us about vetting at the fair.

A.A.: Like [.../...]

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Tags: Aboriginal Art, Native American Art, Pre-Columbian Art, Asian Art, Oceanic Art, African Art, Interviews, Fairs & Shows


To the sources of Tribal Art

By Artkhade with Art Media Agency

Paris, 12 September 2017

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As every year since 2001, the fair takes place in Saint-Germain-des-Prés for a week devoted to tribal art. Until 17 September, this gathering of 67 merchants offers a guaranteed change of scenery in the heart of Paris.

Parcours des Mondes, the fair steered by Pierre Moos – also managing director of Tribal Art magazine – has become the most important event in its field, leaping ahead of its most reputed European rivals. Incontestable success that confers on Parcours des Mondes its unique renown. No small feat, seeing how the schedule of events around classic African, Pacific, pre-Columbian and Asian arts, has taken off. Between the BRAFA and the BRUNEAF in Brussels, the TEFAF in Maastricht, the Tribal Art Fair in Amsterdam and London, and even Frieze New York which, this year, backed the decision to welcome tribal-art dealers in its alleys — Donald Ellis (New York, Vancouver), L & R Entwistle and Co (London) and Galerie Meyer (Paris) —, one thing is sure: we can no longer keep count of the number of international rendezvous organised in [.../...]

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Tags: Aboriginal Art, Native American Art, Pre-Columbian Art, Asian Art, Oceanic Art, African Art, Fairs & Shows